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Helen Let's play Name That Sue! But first you're going to need a few clues about her personality: - I'm super beautiful, but I don't notice it!
Woe is me! Here, let me love you! I'm kewler than them! It's too many Sues to count! Helen is an idiot. Most of the novel she's running around with twinkling stars in her eyes and clueless to everything that is happening around her.
She is beautiful in every way. So much so, that it is normal for people to just sit and stare at her. Everybody loves her and the world kisses her ass every chance it gets. Her favorite hobbies include going grocery shopping, cooking for her dad, doing homework, and personal hygiene.
Oh hey, Bella! I didn't see you there! The moment Helen and Lucas stop attempting to end each other's life, they immediately start holding hands and declaring their love for one another.
Oh, insta-love! How I hate thee! She's never had a boyfriend or been kissed until Lucas and his family move into town. There is just something about Lucas that brings out everything in Helen. And I do mean everything. Her entire life she has had all these powerful mystical powers, but she never knew about them because whenever she would use them unknowingly in front of mortals she would get a nasty bout of menstrual cramps!
Little does Helen know that her cramps were a cursed placed on her by her very own mother. But it was totally for her protection.
Of course. So anyway, with every new plot twist, Helen seems to get a new power. Which basically means she keeps getting more and more useless.
All she does is say, "Oh, but I don't want to hurt anyone! Even if they are trying to kill me, I can't justify their deaths! She has no sense of self-preservation. Go on and let it out, Hades! What is the point?! The stupidity makes it hard to breath. Thankfully, one of the other characters noticed this madness and said: "She'd better get it in her.
Because I don't want any of the people I love to die defending her lazy ass. Cassandra swung her sword. In that millisecond Helen knew she'd had a good life, because she suddenly loved it so much that she could have wept with gratitude.
But perhaps Edition: current; Page: [xviii] the most direct testimony to his actual work as a composer is found in a letter from the composer John Walter, capellmeister to the Elector of Saxony, written in his old age for the express purpose of embodying his reminiscences of his illustrious friend as a church-musician. With whom I have passed many a delightful hour in singing; and oftentimes have seen the dear man wax so happy and merry in heart over the singing as that it was well-nigh impossible to weary or content him therewithal.
And his discourse concerning music was most noble. So he himself made the notes over the Epistles, and the Gospels, and the Words of Institution of the true Body and Blood of Christ, and sung them over to me to get my judgment thereon. He kept me three weeks long at Wittenberg, to write out the notes over some of the Gospels and Epistles, until the first German Mass was sung in the parish church.
It was no satisfaction to him that the scholars should sing in the streets nothing but German songs. We see, and hear, and clearly apprehend how the Holy Ghost himself wrought not only in the authors of the Latin hymns, but also in Luther, who in our time has had the chief part both in writing the German choral hymns, and in setting them to tunes; as may be seen, among others in the German Sanctus Jesaia dem Propheten das geschah how masterly and well he has fitted all the notes to the text, according to the just accent and concent.
At the time, I was moved by His Grace to put the question how or where he had got Edition: current; Page: [xix] this composition, or this instruction; whereupon the dear man laughed at my simplicity, and said: I learned this of the poet Virgil, who has the power so artfully to adapt his verses and his words to the story he is telling; in like manner must Music govern all its notes and melodies by the text.
The composers of the sixteenth and seventeenth centuries practised their elaborate artifices upon it. The supreme genius of Sebastian Bach made it the subject of study. But very thankful acknowledgments are also due to English translators, who have made this work possible within the very scanty time allotted to it.
Full credit is given in the table of contents for the help derived from these various translators. But the exigencies of this Edition: current; Page: [xx] volume were peculiarly severe, inasmuch as the translation was to be printed over against the original, and also under the music.
Not even Mr. The whole credit of the musical editorship belongs to my accomplished associate, Mr. Nathan H. Allen, without whose ready resource and earnest labor the work would have been impossible within the limits of time necessarily prescribed. In the choice of harmonies for these ancient tunes, he has wisely preferred, in general, the arrangements of the older masters.
The critical musician will see, and will not complain, that the original modal structure of the melodies is sometimes affected by the harmonic treatment. And now the proper conclusion to this Introduction, which, like the rest of the volume, is in so slight a degree the work of the editor, is to add the successive prefaces from the pen of Luther which accompanied successive hymn-books published during his life-time and under his supervision.
Autore Ioanne Walthero. Paul doth also appoint the same 1 Cor xiv. Paul saith 1 Cor. These songs have been set in four parts, for no other reason than because I wished to provide our young people who both will and ought to be instructed in music and other sciences with something whereby they might rid themselves of amorous and carnal songs, and in their stead learn something wholesome, and so apply themselves to what is good with pleasure, as becometh the young.
Beside this, I am not of opinion that all sciences should be beaten down and made to cease by the Gospel, as some fanatics pretend; but I would fain see all the arts, and music in particular, used in the service of Him who hath given and created them. Therefore I entreat every pious Christian to give a favorable reception to these hymns, and to help forward my undertaking, according as God hath given him more or less ability.
The world is, alas, not so mindful and diligent to train and teach our poor youth, but that we ought to be forward in promoting the same. God grant us his grace. Wittemberg, Anno m. For that they should sorrow who have no hope is not to be wondered at, nor indeed are they to be blamed for it, since, being shut out from the faith of Christ, they must either regard and love the present life only, and be loth to lose it, or after this life look for everlasting death and the wrath of God in hell, and be unwilling to go thither.
But we Christians who from all this have been redeemed by the precious blood of the Son of God, should exercise and wont ourselves in faith to despise death, to look on it as a deep, sound, sweet sleep, the coffin no other than the bosom of our Lord Christ, or paradise, the grave nought but a soft couch of rest; as indeed it is in the sight of God, as he saith in St.
John, xi. Paul, 1 Cor. We sing, withal, beside our dead and over their graves, no dirges nor lamentations, but comforting songs of the forgiveness of sins, of rest, sleep, life and resurrection of the departed believers, for the strengthening of our faith, and the stirring up of the people to a true devotion.
For it is meet and right to give care and honor to the burial of the dead, in a Edition: current; Page: [xxiii] manner worthy of that blessed article of our creed, the resurrection of the dead, and to the spite of that dreadful enemy, death, who doth so shamefully and continually prey upon us, in every horrid way and shape. Accordingly, as we read, the holy patriarchs, Abraham, Isaac, Jacob, Joseph, and the rest, kept their burials with great pomp, and ordered them with much diligence; and afterwards the kings of Judah held splendid ceremonials over the dead, with costly incense of all manner of precious herbs, thereby to hide the offense and shame of death, and acknowledge and glorify the resurrection of the dead, and so to comfort the weak in faith and the sorrowful.
In like manner, even down to this present, have Christians ever been wont to do honorably by the bodies and the graves of the dead, decorating them, singing beside them and adorning them with monuments.
Of all importance is that doctrine of the resurrection, that we be firmly grounded therein; for it is our lasting, blessed, eternal comfort and joy, against death, hell, the devil and all sorrow of heart. As a good example of what should be used for this end, we have taken the sweet music or melodies which under popish rule are in use at wakes, funerals and masses for the dead, some of which we have printed in this little book; and it is in our thought, as time shall serve, to add others to them, or have this done by more competent hands.
But we have set other words thereto, such as shall adorn our doctrine of the resurrection, not that of purgatory with its pains and expiations, whereby the dead may neither sleep nor rest. The notes and melodies are of great price; it were pity to let them perish; but the words to them were unchristian and uncouth, so let these perish. It is just as in other matters they do greatly excel us, having splendid rites of worship, magnificent convents and abbeys; but the preachings and doctrines heard therein do for the most part serve the devil and dishonor God; who nevertheless is Lord and God over all the earth, and should have of everything the fairest, best and noblest.
So also have they costly vestments, chasubles, palliums, copes, hoods, mitres, but what are they that be clothed therewithal?
Just in the same way have they much noble music, especially in the abbeys and parish churches, used to adorn most vile, idolatrous words. Wherefore we have undressed these idolatrous, lifeless, crazy words, stripping off the noble music, and putting it upon the living and holy word of God, wherewith to sing, praise and honor the same, that so the beautiful ornament of music, brought back to its right use, may serve its blessed Maker and his Christian people; so that he Edition: current; Page: [xxiv] shall be praised and glorified, and that we by his holy word impressed upon the heart with sweet songs, be builded up and confirmed in the faith.
Yet is it not our purpose that these precise notes be sung in all the churches. Let each church keep its own notes according to its book and use. Lots of women suffer from domestic abuse every day and Angelini pokes fun?! What messages are we sending our young girls? That this is romantic banter? This is why young girls think it is okay to tweet crazy shit like they would let Chris Brown hit them any time. This is why we are seeing people happy about him singing songs with Rihanna.
We need to speak up against this. OMG, I'm so angry right now, I'm seeing red.
Use your powers in the kitchen! The fighting, I mean. We spar together to stay in shape, but only the boys really fight, and only when they need to get something off their chests.
The only reason why they fight is to stay in shape?
Controlling boyfriend: "Now go to sleep," he ordered. Come again? He what?! Oh, hell no. Let a guy come home and start ordering me around.
I've got two words for him: Bitch, please. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used. He wants to talk to me about something, I think," Helen said as if it wasn't important. She shut her mouth before she could say too much.
Is there any reason for Zach to think that you might be single? He goes throughout most of the book just holding her hand, but telling everyone else they don't really have a relationship. And then he pulls this line: "Are you trying to make me jealous or are you just so frustrated that you're already looking for someone else?
Someone who would give in to you? Women should be held to high standards and oh, yeah, they're evil: "A lady never cheapened herself by using foul language.
Yup, thats right. It's totally a woman's fault a man can't control himself. Let's have some fun this beat is sick. I wanna take a ride on your disco stick! I suppose this is what she is supposed to look like: I can see you staring there from across the block with a smile on your mouth and a hand on your HUH! There are a ton of other problems with this book, but I've wasted enough of my life with Starcrossed. I probably have enough anger and quotes to write a damn book myself.
I just I'm offended this was written.
I offended that it was published.